Our April playlist showers us with jazz, post-punk, glam rock, and K-pop, then some fresh classical favorites and old standbys bring it all home.

The words of evolutionary biologist Richard Dawkins and theoretical physicist Richard Feynman introduce a secular twist to the choral mass format in David Shapiro’s Sumptuous Planet Mass, brought to life by the Philadelphia-based choral ensemble The Crossing.

Later this month, Boston Baroque, led by Martin Pearlman, will present Mozart’s incredible "Don Giovanni" in a fully staged production. In anticipation of the performances, General Manager of GBH Music and author of the novel "Imagining Don Giovanni" Anthony Rudel takes a closer look at the opera’s characters and the men who created them.

As the eclipse approaches, many colleagues from all over the country have been wondering what music might be appropriate for this rare natural occurrence, a time when the sun’s glories are blocked from view.

Davis led the Toronto Symphony Orchestra, Britain's Glyndebourne Festival, the BBC Symphony Orchestra, the Melbourne Symphony Orchestra and the Lyric Opera in Chicago.

Professors and students at the University of South Florida mapped pitch, rhythm and duration to data about algae blooms and depletion of coral reefs to create an original composition.

On WCRB In Concert with the Handel and Haydn Society, buzzing flies, raging fire, and parting seas come to life in Handel's "Israel in Egypt," performed by the H+H chorus and period-instrument orchestra, all led by Artistic Director Jonathan Cohen.

Hahn returns to Symphony Hall as the soloist in Brahms’s Violin Concerto, and Andris Nelsons conducts Mozart’s Symphony No. 33 and Anna Thorvaldsdottir’s "Archora," inspired by the primordial energy of her Icelandic homeland.

On The Bach Hour, Alina Ibragimova is the soloist in Bach's Violin Concerto in D minor, and Christophe Coin leads the Cantata No. 85, "I Am the Good Shepherd."